||Cara, a secretary in the Brewster architectural firm, dates aspiring architect Phil and shows his plans to her boss, who is impressed. However, Cara overhears Phil making a phone call and telling a woman he loves her, so she decides to leave town. Phil catches up with Cara and says (a) he was talking to his mother, and (b) he’s really the son of the owner of the architecture firm, and took a false name so his work would get an impartial hearing. Phil and Cara kiss.
||Pencils: Alice Kirkpatrick | Inks: Bernard Sachs|